Musings

Madonna, SATC, and Titanic aficionado. PhD in English Lit. Fascinated by gilded age and Y2K culture. Adores coming-of-age stories, cats, and Kath & Kim (IYKYK).

Photography by Red Eclectic

  • Playground Love: Landscape and Longing in Sofia Coppola’s The Virgin Suicides

    “Longing, we say, because desire is full of endless distances”. -Robert Hass

    Scene from the film The Virgin Suicides

    20 years ago, I wrote an article for the Literature/Film Quarterly about one of my favourite films. The Virgin Suicides captivated me in my late teens when it was first released. This dreamy film has stayed with me ever since.

    Full article

    There’s really no graceful way to share a 20-year-old article, so the link below will take you to a PDF of the entire piece. Reading it back, I’m still very proud of it.

    Playground Love: Landscape and Longing in Sofia Coppola’s The Virgin Suicides. Literature/Film Quarterly. 35:3 (2007): 214-221.

    Article teaser pics

    Includes a snapshot of what the film’s website used to look like. I wish I had it in colour!

    Screenshot of article Playground Love
    Screenshot of article Playground Love
    Screenshot of article Playground Love

    Decades later, I’m still in love

    Some of the memorabilia I’ve collected over the years.

    Photo of author's film collection
    Screenshot of authors film collection
    Photo of author's film collection
  • Book Rec: The Director

    ‘Times are always strange. Art is always out of place. Always unnecessary when it’s made. And later, when you look back, it’s the only thing that mattered’. – Daniel Kehlmann, The Director.

    Cover of the book 'The Director' by Daniel Kehlmann

    This fictional story is based on the real life of film director G.W. Pabst. When he finds himself trapped in Austria during World War II, Goebbels wants him to make propaganda films.

    Kehlmann’s tale about art and morality is timely given that art is more important than ever right now. Compelling and thought-provoking, I highly recommend.

    Passage from Daniel Kehlmann's book 'The Director'

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